In a recent interview with Us Weekly, Gavin Rossdale, the frontman of the band Bush, shared his humorous take on the viral “kiss cam” incident involving Coldplay during a concert in Boston. Rossdale remarked on how the moment has become a sensational topic, jokingly referring to it as “the most defining moment of 2025.” He expressed curiosity about why Coldplay has a kiss cam at their shows, questioning its relevance to their music and asserting that Bush has no plans of incorporating such a gimmick into their concerts. Rossdale seemed to find the need for a kiss cam at high-profile shows intriguing, particularly since Bush operates in a “different genre” where such antics may not resonate with their audience.
The kiss cam incident involved two attendees who were caught cuddling and quickly went viral after frontman Chris Martin joked about their possible affair. The individuals turned out to be Andy Byron, a tech CEO, and Kristin Cabot, his Chief People Officer, both reportedly married to other people. This incident brought a new storyline to the concert, showcasing the unpredictable nature of live performances and social media’s role in amplifying them. Rossdale expressed surprise at the event’s publicity, pondering whether Coldplay truly needed it given their successful trajectory.
On a personal note, Rossdale is currently in a relationship with Xhoana Xheneti, and the couple made their romance public through social media in early 2024. Alongside promoting Bush’s new album, “I Beat Loneliness,” Rossdale has reconnecting with family, especially during a memorable trip to Cornwall, England, where they spent quality time together. He fondly recalled the experience of traveling with his large family and noted how they enjoyed a beautiful beach house while exploring the picturesque area. This family bond, he emphasized, is essential to him amidst his busy career.
While Rossdale is close with his family, including his adult daughter Daisy who appreciates the new album, he prefers not to pressure his sons into listening to Bush’s music. He noted that he wants them to discover his work on their own terms, as he sees his primary role as a parent as ensuring they thrive in their lives. This approach reflects a desire for his children to engage with music in a way that feels organic and unforced, maintaining their independence and personal preferences.
Zuma, one of Rossdale’s sons, humorously critiqued his father’s attempt to remix the iconic Bush song “Machinehead,” leaving Rossdale momentarily deflated. Zuma’s candid feedback served as a reminder of the challenges that come with being a parent in the music industry, striving to balance artistic ambition with the familial connection. Rossdale’s interaction with his son highlights the generational differences in music appreciation and the personal stakes tied to a legacy he wishes to share with his children.
Finally, with the release of “I Beat Loneliness,” Rossdale is focusing on his music while navigating his family life. He continues to embrace both roles, finding joy in the memories he creates with his loved ones and the artistry he pursues in his career. As he reflects on the intertwining of family and music, Rossdale’s journey unfolds as both a musician committed to his craft and a father dedicated to raising his children with intention and care.
