The play “Giant,” based on Roald Dahl’s antisemitism and starring John Lithgow in the lead role, was a major winner at the Olivier Awards, the UK’s equivalent of the Tonys. The play, which originally premiered at the Royal Court and is now transferring to the West End, took home three awards at the ceremony, including best actor for Lithgow and best supporting actor for Elliot Levey. Critics praised the play for its subtle and stylish writing and direction, with Lithgow’s performance being particularly noted for blending affable charm with cranky prickliness.
Two other productions also won three awards at the Olivier Awards. A revival of “Fiddler on the Roof” and “The Curious Case of Benjamin Button” were both recognized for their outstanding performances. “Fiddler on the Roof” won the best musical revival prize and will be transferring to London’s Barbican, while “The Curious Case of Benjamin Button” won the best new musical award, as well as best actor in a musical for John Dagleish. The night saw a host of productions and actors being recognized for their exceptional work in various categories.
In addition to the awards for “Giant,” “Fiddler on the Roof,” and “The Curious Case of Benjamin Button,” other notable winners included Imelda Staunton for best actress in a musical for her role in “Hello, Dolly!” and Lesley Manville for best actress in a play for her performance in “Oedipus.” The best director award went to Eline Arbo for “The Years,” a play that has gained attention not only for its content but also for audience members fainting during a key scene. The best new comedy or entertainment award was given to “Titanique,” a humorous retelling of the “Titanic” movie featuring Celine Dion songs.
Overall, the Olivier Awards celebrated a wide range of productions and actors, highlighting the diversity of talent in the UK theater scene. The success of “Giant” in particular, with its timely exploration of a controversial figure like Roald Dahl, reflects the ongoing relevance of thought-provoking and impactful storytelling. With multiple award-winning productions transferring to larger stages and winning over audiences both in the UK and potentially on Broadway, the future looks bright for British theater and the continued recognition of exceptional talent in the industry.
