In an interview with The Guardian, Sarah Jessica Parker expressed her surprise at the backlash against Che Diaz, the nonbinary character played by Sara Ramirez in And Just Like That. She revealed that she was largely unaware of the negative fan reception until it was brought to her attention by a friend. Parker, who has been acting for 50 years, mentioned that she typically doesn’t focus on public opinion, stating, "I loved working with them." This reflects her commitment to her craft and connection to her co-stars, even amidst criticism.
Parker also discussed the show’s evolving relationship with audiences, particularly Gen Z viewers who have recently rediscovered Carrie Bradshaw, her iconic character. She noted the stark contrasts between their dating experiences and outlook on life compared to earlier generations. Gen Z seems to have less patience and is less forgiving of flaws, which Parker finds fascinating. Despite their criticisms of Carrie and Big’s relationship dynamics, she acknowledged that strong feelings about the characters’ choices have always been present among viewers.
When reflecting on whether she felt disheartened that the dating struggles portrayed in the show still resonate with audiences today, Parker provided a nuanced view. While she recognized that it could be disheartening, she emphasized that the series represents a search for home and happiness, whatever that may mean for different individuals. For her, it’s essential that 20- and 30-somethings experience a sense of longing and adventure, even if the dating landscape can be frustrating.
The third season of And Just Like That premiered on May 29 on HBO Max, with new episodes releasing weekly. In a recent episode, viewers witnessed Carrie grappling with a rat infestation in her new Gramercy Park apartment. This scenario adds a layer of humor and reality to her character’s journey, further engaging audiences with contemporary urban challenges. Carrie’s property choices, including selling her Upper East Side brownstone after reconciling with Aidan Shaw and moving out of the home she shared with her late husband, Mr. Big, illustrate her ongoing transformation.
Without specifying the details of Carrie’s property transactions, Parker highlighted that the real-life price of the townhome was around $5 million. The connection to real estate serves as both a plot device and a symbol of Carrie’s evolving identity. It emphasizes how her life choices are intertwined with significant emotional experiences, marking her navigation through love, loss, and self-discovery.
Ultimately, Parker’s insights reveal a profound understanding of the changing definitions of love and happiness in contemporary society. While the series continues to attract attention for its relatable scenarios stemming from persistent relationship issues, it also encourages viewers to seek out fulfillment. This duality showcases the timelessness of connection and the ongoing relevance of Sex and the City-inspired narratives in today’s cultural landscape.
